When Gratitude is Too Big

fullsizeoutput_6e7Over the past few weeks in the creative expression classes I teach we’ve been creating gratitude journals. Gratitude journals are, as they say, ‘trending’. There are studies, in fact, that suggest keeping one benefits our mental and physical health. This might be true. Shifting our energy toward the positive rather than nurturing our habit of catastrophizing the difficulties we encounter builds our emotional resilience and reminds us that living is a group experience. 

But sometimes the concept of gratitude feels too big for me and at the same time too elementary. It’s difficult for me to winnow down all the reasons I have for being grateful.  The simple act of creating a daily list of well-meaning gestures, happy accidents and unexpected outcomes might remind me of the good in life, but it doesn’t satisfy the yearning I feel in my heart to understand how acknowledging these moments feeds my soul.

How can we add depth to the act of recognizing the positive in life?  The things that turn our frowns upside down?

In yogic philosophy we study Patanjali’s niyamas. The niyamas are a collection of five virtues. One of these virtues is self-study (‘svadhyaya’).  Anchoring the contemplation of gratitude in self-study provides an opportunity to embrace those moments for which we are grateful and then to explore the deeper nature of gratitude and how we can express the gratitude we experience. 

If we want to narrow our focus even further we can turn to Naikan – the Japanese practice of introspection. When we practice Naikan we ask three simple questions:

  • What have I received?
  • What have I given?
  • What difficulties have I caused?

The questions might be asked about a relationship, a situation or even an event. For example, if I choose to practice Naikan on my mother then the questions I ask are:

  • What have I received from my mother?
  • What have I given to my mother?
  • What difficulties have I caused my mother?

The obvious fourth questions, What difficulties has my mother caused me?, is ignored. It is human nature to shine a spotlight on that question, but it is through the examination of our answers to the first three questions that we’ll find enlightenment.

When you open your journal tonight, how will self-study or a Naikan practice influence how you consider gratitude?


Safety in Moderation? Brahmacarya.

IMG_0200The yamas and niyamas are introduced in the second book of Patanjali’s sutras.  This book, Sādhanapādah, offers instruction as to how we might cultivate the quality of attentiveness in our practice.  Brahmacarya, our fourth of the five yamas, is the virtue of self-restraint.   But its more complicated than that.  This self-restraint asks for celibacy in the single person, fidelity for the married.

But it really couldnt be all about sex, could it?

Judith Hanson Lasater wrote a series of beautiful essays about the yamas and niyamas.  She breaks down the meaning of brahmacharya like this:

The actual definition of the word, she writes, is based on the translation of the syllables of the word.  Brahma comes from the name of the deity Brahma; char means to walk and ya means actively.  Thus brahmacarya means walking with God.

Yet I still find this yama far more complex and nuanced than ahimsa (non-harming), satya (truth-telling) and asteya (non-stealing) – especially when I try to place brahmacarya in a 21st century context.

It’s one thing to be called to celibacy but what about sexually active individuals who are not married yet in a loving, committed relationship?  Are they to be denied a yoga practice?  And by ‘yoga practice’ I mean one that is not limited to asana.  A living, breathing, walking-in-the-world yoga practice.

And assuming Lasater’s deconstruction of the word is correct, what does this mean for individuals who don’t believe in a god?  Is belief in a deity a pre-requisite?

I am in a loving, long-term, committed relationship with an atheist to whom I am not yet married. Once deeply religious I am now agnostic at best.  But our yoga practices are thoughtful and strong.  Is it possible they are fraudulent?

TKV Desikachar’s translation speaks of the vitality and strength we can gain through self-restraint and moderation.  Framed like this, brahmacarya has more resonance for the 21st century yogi.  It becomes something I can happily embrace and apply to my daily practice.  And yet this lightweight acceptance of simple moderation seems a little too easy.  It lacks power of a disciplined approach.

What if the celibacy were asked to practice has less to do with our relationships with friends, lovers, husbands and wives and more to do with unbridled compulsion, selfishness, blind ambition or extremes of emotion?  If I consider these ideas and pay attention to how I walk through life I can become aware of when I am compulsive, selfish, ambitious to the point of unfeeling blindness and over-reactive.  I can pay attention.  I can step back.  I can moderate my behavior. 

I can see my world with clear vision. 

The promise of brahmacarya.

As yoga teachers, a personal practice of brahmacarya energetically influences our students.  Our clear-headed and calm demeanor will instill a sense of trust.  Furthermore, our practice of brahmacarya will encourage the same attitude of restraint and moderation in our students practice.

Most of all, our practice of brahmacarya will conserve our energy.  That means well be able to teach our last class of the day with the same open heart as the first.


Asteya

pinkeyeglassesAsteya is the third Yama, or social observance, in Patanjali’s Sutras.  It means ‘non-stealing’.

Superficially asteya is a concept easy to grasp yet there are greater depths to explore beyond the simple idea of not taking what isn’t yours.

On the gross level we can steal another’s belonging.  On a more subtle level we can steal another’s time.  If we interrupt a conversation we are, as Nicolai Bachman writes in his volume about the sutras, stealing attention.

Pulling the veil back further we recognize that covetousness and envy are also forms of thievery by the manner in which they tarnish attitudes and dull joy.  Both Bachman and scholar IK Taimni draw our awareness to the truth that when we embrace asteya we rise above our basic nature.  When we are honest and honorable we nourish the heart and soul.

And that is why asteya is important to me.  I want to live an honorable life.  I try to not steal joy, celebration or even sorrow and pain from others.  I don’t take what is not mine.  I avoid feelings of envy.  I listen without interruption.  Usually.  But I am not perfect and this is a practice.

What resonates for me most as I practice asteya and non-stealing is my relationship with time.  I place huge emphasis on arriving where I am needed on time.  To that end I am especially cognizant of beginning and ending my classes and private appointments with clients on time.

Anything less?  That would be stealing.


Breath Taking

IMG_0190Breath taking.

That’s what change can be.  It can take our breath away with the most wonderful gasp of delight, or the breath can be caught tight in our chest, sharp and immovable.

My life has seen so much change in the past six weeks.  The beginning of exciting new projects and sudden changes in circumstances that I didn’t expect.

Awe inspiring change can make us feel lighter than air.  Awful change can make us feel leaden and stuck.

I prefer awe-inspiring change.  Who doesn’t?

Here’s the thing – how we describe change depends on how we process the change.  The story we write about it in our heads and our hearts.  The peace or the violence we ascribe to it.

I’ve been thinking about this because of the labels I’ve been using to describe the changes in my life.

One of our assignments during our first month of training at Niroga Institute in Berkeley was to give some thought to Ahimsa.  Ahimsa is the first of Patanjali’s Yamas – or moral codes.  Ahimsa asks that we be compassionate.  It asks us to walk a path free of violence.

What is violence?  Is there ever a time when an act of violence can be justified?

This is what I wrote for my assignment:

 

Ahimsa

Violence is a small thing.

It is a girl child running through the jungle, arms stretched out, mouth open in silent cry,

clothes seared from her body.

It is a small thing.

Violence is an act of war.

It is a jetliner ripping a skyscraper in half.  It is men detonating the bombs they strap to their bodies.  It is women being gang raped on the back of busses.  Violence is the sting of a mother’s slap on her young son’s frozen cheek.

Non-violence begins when I remember that violence doesn’t ask for much.

Because violence is a small thing.

Violence begins when I wake to curse the haggard reflection staring back at me.

Violence ends when I wake and offer thanks for my humble life.

Violence begins when I whisper secrets that belong to someone else.

It ends when I sit in quiet contemplation.

Violence begins when I fill my eyes with gratuitous images.

It ends when I change the channel.

Violence.  Non-violence.  Ahimsa.  Himsa.

Two sides of the same coin that we toss into the air without a second thought.

We can choose the side on which it lands.

 

 

 


There’s More than One Road to Travel

The Patanjali mural at Samyama Yoga Center in Palo Alto

The Patanjali mural at Samyama Yoga Center in Palo Alto

I sat in sukhasana for the first time in Mrs. Carey’s gym class. It was 1975 and I was a junior at Northwestern Lehigh High School. I didn’t know it was sukhasana. For that matter, neither did Mrs. Carey. Most of my classmates sat slumped, legs crossed. But I was in sukhasana. I didn’t know it. I could feel it.

It was ten years before I sat in sukhasana again.

It’s wrong to call the path I’ve walked for most of the past three decades a ‘yoga journey‘. If I’m to be truthful, it has been an ‘asana journey‘. Asana. Asana. Asana. For years I collected asanas like some people collect stamps. And why not? It was fun. I was young. And no one taught me any different. They may have tried, but I wasn’t listening.

I knew I was taking the ‘scenic route’. I knew there was more to yoga than asana. I craved something more – I was hungry for it – but I didn’t know where to begin.

I had the texts to prove it: the Gita and Upanishads, Patanjali and the Pradipika. I had books from teachers who brought yoga to the West. For a time I carried Iyengar‘s Light on Yoga with me as if it was the Holy Grail. I was a yoga poser. I was proving that what my teachers back at Northwestern said about me (“she’s a bright girl but she doesn’t apply herself”) was true.

Maybe I wasn’t ready. Maybe it’s true that the universe conspires to open your heart only when you’re ready to receive. I’m ready. Patanjali, my heart is open. Teach me.

Chapter 1

Samadhi Pada

1.1 Here begins the authoritative instruction on Yoga.

1.2 Yoga is the ability to direct the mind exclusively toward an object and sustain that direction without any distractions.


Introducing Samyama Yoga Center’s Body Therapists

Samyama Yoga Center‘s home is a sleek modern building at 2995 Middlefield Road. From the outside, its strong lines and clean façade anchor the building to the earth while creating a sense of weightlessness. Once inside, the clarity of the light in the downstairs retail area welcomes and warms the heart of every guest. Upstairs, in the main practice studio, the diffused light is filtered through tall, translucent windows made to appear like Shoji screens. Shadows from the outside architecture draw soft grey lines across the glass and continue the effect. The white walls are a surprise but they are not harsh. Rather, they blur the edges of space to the point that the yogi feels as if she is floating. The room’s name, Ascension, is apt. Time, space and perspective seem different in that studio. And, over the months since we’ve first opened our doors, the room has become infused with Patanjali‘s energy and spirit.

sam roomWhen John Berg’s vision of Samyama became a reality, however, it included more than one opportunity to blur space and time. Downstairs, just around the corner from the lounge, there is a warm and inviting therapy room. Perfectly appointed for the comfort of the client, this soulful space is home to two of the Bay Area’s most innovative and gifted body therapists: Devin Begley and Joanne Brohmer:

Devin BegleyDevin

I was born on a sunny day in Santa Cruz California. At a young age I began practicing massage and studied with my fathers therapist so I could continue his healing at home. Growing up I was always encouraged to explore music and creative expression. I auditioned and was accepted into the bachelor of fine arts in acting program at USC. While undergoing rigorous movement, vocal and emotional training, I began to understand the resonant, visceral connection between body and mind. I enrolled at the Institute of Psycho-Sturctural Balancing in Santa Monica, where I adopted multiple modalities and a greater curiosity for vibration and energy. I started studying meditation, yoga, tai chi, sounding and cymatic theory. After moving back to the Bay Area I continued my training at the Accupressure Institute in Berkeley.

What I offer is resonance.

A return to sound via auditory stimulation and felt vibration. You will enter an altered state of awareness using a mixture of breath work, sounding, tibetan bowls, tuning forks and a gong bath. The mind will be entrained to a meditative state where hypnogogic subconscious connection can be made. The body will experience increased awareness, physical and emotional release, movement of energy, nitric oxide production, and sublime relaxation. Like yoga, lines of connection will be made as your natural healing ability is triggered and the mind/body unites with vibration.

This is a unique personal experience and how the session is orchestrated is dependent on the subject.

Image 2Joanne Brohmer

Being perpetually curious about the very core of life. I have always been one to dive deeply into the mystery of things and even once I have found an answer, I ache to go even deeper. Being a seeker of pure connection to source, my own eternal essence and the merging nature of spirit, my love drives me to help others encounter their souls, their inherent connection to nature and the flow of innocence that lives inside them. Using a combination of Reiki, CranioSacral Therapy and guided imagery a healing session can not only be deeply relaxing but a journey where you are an active participant in deeply releasing what you are ready for and creating a greater sense of alignment with your natural state of being.

I took my first Reiki class in Palo Alto 11 years ago and attained my Reiki II and Master certification within the following two years. I found that receiving the attunements alone started me on a rapid healing process and an ever-expanding spiritual journey. I have been a practitioner for 9 years now and have been teaching Reiki for 6 years. Integrated Energy Therapy, CranioSacral Therapy and intuitive reading are also powerful methods that I was led to learn and further help people to dig deep into their healing process and experience their full being and all the things that get in the way of experiencing to the fullest. I traveled to India in December of 2006 where I became a certified yoga teacher. I have studied and practiced methods of meditation and visualization techniques for the last 9 years and have found them to be powerful tools along my path. I became a certified Family Constellation Facilitator in August of 2010. I have discovered some of the deepest sources of my own personal wounding through constellations and am excited to be able to offer this chance for healing to others. I am here to wake up, love and help others wake up to their full human potential and move beyond the ego’s limitations.

About the modalities:

Reiki: Reiki is a gentle ancient healing technique that involves light touch and can also be done over distances. Since it heals the source of the condition, healing on many levels can be experienced. Reiki works to remove blocks, balance energies and restore natural patterns so the body may begin to heal itself.

CranioSacral Therapy: CST is a gentle, hands-on method of evaluating and enhancing the craniosacral system – comprised of the membranes and cerebrospinal fluid that surround and protect the brain and spinal cord. Using a soft touch with about the weight of a nickel, practitioners release restrictions in the craniosacral system to improve the functioning of the central nervous system. This method has the possibility of releasing deep traumas that have manifested in the body.

Appointments with Devin and Joanne can be made by ringing Samyama Yoga Center at 650-320-9262.


Sit. Stand. Breathe. Live.

yoga

Sometimes we forget. We forget we’re not teaching yoga. We are teaching asana. And we forget Patanjali’s teachings: that asana is just one of the eight limbs. Most classes called yoga focus their intention on asana. Pranayama receives a cursory mention. The other six limbs – yama, niyama, pratyahara, dharana, dhyana and samadhi – are left dangling in the breeze of our ujjiay breath.

I think that as asana teachers we find ourselves caught in trends. From practicing postures on paddle boards to holding shapes in slings, fitness trends are fine but they are like rainbows. Beautiful, fun and illusory. As fast as one trend disappears another arcs across to fill the sky – or the yoga industry – with light and color.

I’ll be honest. There’s a part of me that would love to be that teacher who enthusiastically embraces every trend and explores its possibility. But you won’t find me practicing asana on a paddle board – even though it looks like fun. And you won’t find me hanging in a sling or holding dhanurasana while balanced on the soles of my partner’s feet.

More than anything I would like to begin a new trend. I want to begin the trend that sees asana teachers coming back home to yoga. I want those of us who call ourselves yoga teachers – including me – to be yoga teachers.

A few nights ago I attended a class. A yoga class. You read that right. Not an asana class. A yoga class.

When I told fellow teachers and friends I was going to John Berg’s Intro to Yoga class on Tuesday night at Samyama they looked at me a bit funny. “Don’t you mean his Vinyasa class?” Nope. I meant what I said. After thirty years of practice and nineteen years of teaching I was a beginner. And, as a beginner, I wanted a beginner’s class.

In ninety minutes we sat, we stood, we practiced vrkasana, we breathed. In between we reviewed the eight limbs. We listened to a brief talk on yama and niyama. We spoke of intention. And forgiveness. I spent that hour and one half in a state of moving meditation, grateful to John and his teaching but equally grateful that I followed my heart through the studio doors of Samyama.

I believe, as teachers and as students, there are times for expansion. Times when focus on heat building asana is the right path. But I also believe that we abandon ourselves when we fail to listen for the quiet times. The times when we need to step back – contract –  and remember that as much as yoga is about the body, it is about so much more.